Ποιειν Και Πραττειν - create and do

Light and Shade 2007 - 2016

 

                   

 

Lycabetou Stairs

Stairs cast in magical light,

while a dog waits there,

let a shadow peer ahead.

 

As to who may descend

besides Nothingness

if not Duchamp’s naked beauty.

 

Much has vanished in the Athenian maze

no more was he to be seen once she left.

 

The dream at the top of the stairs

wondered if Vermeer’s blue

would ever make her return one day.

 

Atop of Likavitos hill she searched

for her own self having gone astray

in some other light and glare.

 

About a man and woman,

if they wish to outpace destiny,

nothing will reap their changes.

 

Fixated at the bottom of the stairs

he waited for her to descend

as if bidding forever farewell.

 

She still waited at Phileon café

In expectation of the book

To have been completely read.

 

If only life could begin again

by climbing up to greet the sky

finally coming down to words.

 

Say nothing more, nothing less

since desire for love needs to be

fulfilled foremost together

                       and not alone.

 

Hatto Fischer Athens 20.1.2007

 

Half shades

                

Evidence of the photo club in Kolonaki, Athens having closed down in 2006

 

Half shades, my fellow, do not become your face,

You need to touch and paint with some colors

For otherwise no one will adorn your grave

But then you are not the weeping willow or

An empty hand of a beggar standing outside the church

But the photographer wondering where the black and white

Has gone in the digital age for things are left behind

As never before and abandoned are the reminders

Of what life was before not half a century or more ago

But just yesterday even though that seems so far away

To even remember how films were dipped in chemical waters

With magic like development processes transforming the images

Until on paper there revealed themselves the contours of a different face

Never seen before but after such a blow up it was recognizable

That this was not the person I was relating to before

But now how to deal with the difference if not Josef Karsh like

Then as Spoon River imaginary dialogue with the moon lit face

In the park by the dream street passing over to the other side.

 

Hatto Fischer 17.1.2007

 

 

The fisherman in Southern France close to the bridge with different shades of light

               

                Southern France, near Monpazier                     Photo: HF

 

If fishes could only see what he is up to,

But then, mountain streams differ

From wide rivers becoming lazy at the next bend

Especially when they dry up during the hot summer months

And no one there to care for them.

But this fisherman is ostensibly foregone,

Different to himself in this other world

When silence hovers around his head

Like sweet dreams cooling the forehead

When left alone to just think about time

Flowing past at a slow drift of leisure

At the finger tips when yet another fish

Takes a nipple or two without so much biting

Onto his tune of come with me, come with me…

Forsaken, forlorn, a spice and darn of a belly,

The songs of the children spin him around

And whatever he begets, he forgets

So quick is the pace once he has his dancing shoes on.

It took him a while to recover from this pace.

But now, down at the river, he does not mind

So much that his side still aches a bit

But if observed carefully he does touch with his fingers

In the left side pocket a bit that wounded side

More of pride than anything else.

Countries look for symbols like the farmer for the mill

Whenever there is a need to identify a place

Not via a complicated language but with an imaginative guess

This would be it, if some doubts are put to rest

And freedom just a way to let that fisherman get on with his life.

 

Hatto Fischer

Athens 16.12.2009

 

 

 

November sky in Southern France                                               @ hf 2009

Just to remember, light plays everywhere a role, but when one is in Southern France during November, the coming of the winter can be sensed. Heavy clouds rush along the horizon as if to compliment the heavy truck moving fast along.

 

Shadows on the wall

 

               

               Spetses August 2015

 

What do shadows say

when projections on walls

take care that the glance

does not go far,

but in the imagination

they curl back

as if twisted

by the soft wind

speaking with branches

about health and troubles

in need to be resolved

in time to escape

for now the grip of death.

Or something else

is entailed in projections

as reminder of Plato's cave,

but now in broad daylight

they appear like a puzzle

since elections loom ahead

in September and no one knows

what other outcome there exists

than uncertainty and more confusion

about the consequences

especially after the referendum

left in doubt what a "no" means.

26.4.2016

* Note: September 25th Syriza and Tsipras as Prime Minister was re-elected to the surprise of many observers since he had agreed finally in July to the conditions connected with the Third Bail-out and after the referendum had 60% rejecting the new conditions of the Memorandum of Understanding.

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