A heart beat away
Drawing by Hatto Fischer, colours by Maya Fischer (eight years old at that time)
Poetic Well-Wishes from the Touch Stone group of poets in Athens to Brendan Kennelly
University of Dublin
School of English
Arts Building, Trinity College
Dublin 2
16, October 1996
Dear Dr. Fischer,
I wish to apologise for the delay in acknowledging your recent fax. Unfortunately, Professor Kennelly is unwell. After preliminary tests, he was admitted to hospital on Monday of this week. It now seems more than likely that he will have to undergo heart surgery. The commitment, enthusiasm and energy which he devotes to everything he undertakes has at last taken its toll.
I am sorry to be the bearer of this news. May I assure you, however, that Prof. , despite everything, is in good form and cheery, determined to get really well again. He knows that he is surrounded by the prayers and good wishes of so many.
I expect that I should know by the beginning of next week if and when he will have his operation. Please do not hesitate to contact me.
Yours sincerely
Geraldine M. Mangan
Dr. Hatto Fischer
Touch Stone Group
Athens
Athens, 26.11.1996
Dear Brendan,
ever since I have heard through your secretary that you needed to undergo tests to be followed by likely heart surgery, we have been thinking of you, that is all of us who journeyed with you through Crete in September 1995. That conference was the outcome of our first meeting in Dublin and ever since hear your hearty laugh, listen to the more serious tones in your voice and cherish a sign of life from a poet who gives others the strength to question themselves a bit more than they normally do. Out of these thoughts accompanying you, there developed the desire to give you these poetic well wishes for the heart is too serious a matter to be left only to the surgeons and nurses. I find it amazing how everyone started to contribute beginning with Anne Born and then ending with Robert Crist, whom you have not met but belongs to our Touch Stone group of poets living here in Athens. Of course, the little painting up front was done by me together with Maya who did the colouring after I had completed my computer drawing. There are some interesting symbols. The photos bring also back memories of your reading at the library of Athens College whose librarian sends you also her best regards as well as Angela Adams who wanted all along you to have that lecture by Bertrand Russell because it reminded her so much of what you present to her, namely the 'will to doubt'. In short, Brendan, here in Athens you have many friends who wish you a good recovery from a not very easy operation. But knowing your humour and what Yannis Phyllis said at the outset of these poetic well wishes, poets are tough enough to remain gentle in words and movements, alive in their ability to appreciate life. I want to add personally many thoughts, but most important is that you become a source of inspiration for so many people and poets for which I just add a humble thanks.
One of our first tasks will be produce a CD Rom to facilitate the teaching of poetry at university level. Perhaps you can give us your valuable advice.
Furthermore, the CIED project has been accepted by the EU and we are awaiting when we begin, including the preparations for the conference in Galway, Ireland. I shall let you know how things develop.
At home, Maya is now happy with two fishes, one hamster and a cat called Minoas, the latter two of the same rusty colours but not necessarily friends. The cat is quite young but Maya keeps saying thanks for the gift. She had to wait one week until the surprise arrived last Friday when friends brought the kitten to our house. It is interesting to see her grow up in the new school surroundings. Last September we changed school from a Greek public one to a Greek-Germany private one, the latter important since she now learns German on a regular basis. Yesterday she had stomach aches and Anna and I decied to keep her at home. It was wonderful to have her close by, making drawings and seeing her eager reading steps while playing afterwards with the cat. We often talk about you and she smiles at the mentioning of your name when I tell her that you were amazed on how Maya would crawl all over me. She still does only now her body has become much more athletic due to the sports she does at school. Often she would come home exhausted and I have not on those days the car with me when picking her up from the school bus who drops off at some distance from our house, then it happens that she rides home on the back of my shoulders, her hands in the air.
So take care and enjoy the poems, one of the most amazing ones being that of Katerina Anghelaki Rooke and Liana Sakelliou Schultz who nearly came to Ireland this month due to a conference on Women Studies in Cork. She would have loved to see you and bring you the poems personally with the well wishes of everyone in the group. However Mister Postman will do since after all he shall bring you one day the news of having won the Nobel prize for truly deserve it as man of both poetry and people because you speak from the heart to the heart.
All the best,
hatto
Chania 29/10/96
Prof. Yannis Phillis
Technical University of Crete
Ag. Markou St.
73132 – Chania, Greece
Dear Brendan,
I am sure you will pull through unscathed.
Poets are the hardiest of species. Be well and strong and don't forget to intimidate your doctors.
Yannis Phillis
Poetic wishes
A HEART BEAT AWAY
Just a heart beat away
I don't want him to cry
but crush that winter ice
before islands go astray
in a moody summer full
of winds hustling the leaves
too early for autumn to begin.
Soft by nature, life
tunes up to the moonlight
like the Blues recalling
what wailing electric guitars
do to city walls in Harlem
once dreams shatter
when run out of luck.
This is how all things
are kept afloat, cities
at the same level with water,
or chimneys swept clean
while harbours no longer
drift in man's dream,
but there in reality.
Written on waste paper
poetry is hunger reaching out
with grace to man
to ensure he is no skeleton
nor a skinny hand waving
to the crowd to graze the land
nor a priest touching the forehead
to keep down the fever
in a world of clenched fists.
In this life it figures: still other tunes
whistle down rivers, over roof tops,
through the streets of Dublin or wherever
Brendan walks using Joyce's maps
every day since he cherishes to be
with the street kids living in cardboard boxes
or with others, may they be taxi drivers
or mighty pocket men having for a dollar
a stare at some bare skin back there.
Many things have gone astray,
Judas the betrayal of our dreams,
the 20th century like a hanging rope
for all music since Christ was born,
he as king not seen although clothed,
but without the aura a snobbish press needs
to report stories about to unfold,
so as to keep fanning royalist notions
about deeper commotions touching the heart.
About him little scandals are told every day
and secret notes cast in a whirlpool of gossips
verifying the axiom, 'but you can never win',
especially if he tries to whistle a different tune.
Many say, love life, don't hide but seek
her after closing hours in the parking lot,
for she shall sing for you whilst asking
why the river is soaked with your blood
when running underneath bridges and arches
no longer swaying back an forth in Dublin
because too stable to endure human flesh
and lice and masters amidst crowds of people
spilling into the streets every day of a 'frantic life'
as if liberation has come to give them a boast.
Still half asleep I stagger across the street
to discover where that lovely tune
comes from, the tune he equates with 'voice'
and not easy to whistle safe by those street kids
for they know straight lines do not give directions
once all have gone ashore like wrecked ships
along stony cliffs biting their teeth into the coldness
of silence, just to be present in his poems.
They say a heart implant is like an obstinate mule
not giving up on you and wishing you do different things
under other circumstances, that is morally speaking.
No one knows the attitude of others until confronted by love,
but what if wisdom could council us to do the same thing?
Hatto Fischer
Berlin / Athens 19.10.96
*****************************************************************
FOR BRENDAN
No rag and bone shop yours
but an emporium of goods:
a good for poets, lots of students,
many for the sad and stricken -
a supershop of gifts
given and never charged for:
we love you for it, it's our favourite place
for stocking up the warmth we need,
filling our empty shelves
from your huge wordhoard,
your hearthoard.
Give yourself a holiday now
before you spend yourself again
on all of us.
With love and best wishes from
Anne Born
South Devon, England
21. October 1996
(The first line above is from Yeats)
***************************************************************
DEAR BRENDAN
Things fall apart: I hear you are ill,
fighting a lonely struggle to survive but you will
emerge victoriously and stride
Dublin's rainy roads again and write your poems,
muse about Chania and Kamilari where we
spent some wild poetic days.
Remember the Lammergeyer lingering dance
it also fights its struggle to survive
Call to our talks while the bus was winding its way
through dazzling hills and forlorn mountain peaks
Greece and Ireland, two countries immensely alive
with poetry, goddesses, myth, longing, love and strife
you're part of both now, Brendan
Greece won't let you go you know
Get better soon for I want to hear you recite again
poems by my beloved W.B. Yeats;
the true “lieu poetique”
you seem to know them all by heart and make them sing
and bring to life my past Dublin days,
Dublin, where I first learned to love poetry
through Yeats and you and all the Irish people
with their songs and tales and kindness.
We need you and won't let you go you know
Andriette Stathi
Athens 2.November 1996
***************************************************************
Brendan Kennelly and Katerina Anghelaki Rooke in Chania 1995
POEM FROM A CONVALESCENT POET
For Brendan Kennelly
Who knows what nature plans for us
how it thinks to finish us
or even risks to have us feel reborn...
It is like those landscapes you contemplate
where everything seems in its right place
pine trees and olive groves
the small cauldrons full of blood
that tiny organisms carry around
without ever running out of breath...
And how come everything is where it is
- this root, this man's long ear -
how today's sun set
like a mute child falling off its chair
and this dry limb of a tree I call my body
how did it catch fire?
Most of all, how does nature know
to include the arbitrary in its flawless desing
how do I succumb to my “tristia”
how did you rise from your bed
to fall upon yet another?
Katerina Anghelaki Rooke
translation from the Greek by the author
Athens 2. November 1996
(Odysseas Elytis birthday: Born 2/11/1911)
***************************************************************
THE OTHER SIDE OF LANGUAGE
for Brendan Kennelly
There is always the noise of other lives
in the early autumn silence:
the wasps dying,
the apples bruising black,
the chiffon scarf snagged in a branch
swinging with the drift of thought.
He lives through immediacy,
unfolds layers of perception
that fuse his lighthouse
to explore some deepest relation.
He enters the garden laboring
the compressed violence of meanings.
He leaves behind the yellowing
indifference and high on music,
as the other side of language,
guides it from the nerve to the voice
chiselling its energy
with his restless equipment of love.
This generosity to the weight of living
comes late. The wasps, the apples,
the scarf arrive as a blue lyric.
He outlives the moment,
volatizes his urgency. He says to himself
good art does not oxidize.
Liana Sakelliou-Schultz
Athens 5. November 1996
***************************************************************
To BRENDAN KENNELLY, Dublin
...nobody missed you, nobody was even
asked
and you're there, sometimes
in the middle of the fields
where flowers bloom and perish
melody of the flowers taking you
off
murmuring
listen to it, feel it,
softing your senses
pinching your skin
pulling your bones
to the deep thrill
of
having met one another
for just one unsuspicious
moment -
of
having met each other
a glance and a glimpse -
of
having listened to
each other's heart
beat
______________________________________
Hoping that you get well soon
Kind regards
Socrates Kabouropoulos
Athens 6.11.96
*****************************************************************
NIGHT VISION
Milia * by candlelight, his body burns, surrenders to healing hands
Ceaselessly she kneads health through a soaring heat
renders him, sensuously, through chapters of a night
His pain asks how all his years never graced such love
She reads his thoughts, understands his soul. He studies her soft outline
sponging his burning flesh ignoring this manly eye,
Tepid water penetrates each follicle on his skin, cooling desire
Flames capture them, temperatures rise, they cross the threshold
of the night
At forty two centigrade he leaves his mind, wanders through childhood
dreams
She silences delirium, translates it into desire with force,
erases the memory of a generation old pain, allowing his touch
Waves of care take all night to arrive safely to dawn
By dawn, her worn body surrenders to his pillow, he gazes upon
pale silk with lace
This stranger, friend, nursed his ill boy, troubled soul that now yearns
for her touch
Hers, so tired, surrenders to healing hands,
Ceaselessly he kneads strength into her failing spirit,
rendering sensuously to dawn.
With embracing glances they awake to new selves,
brother, sister, lover, friend, armoured forever
An angel whispering, whilst talking quietly, heard a falling star
land softly unto earth
Milia, falling stars wish their destiny yours
Emer Ronan
Athens 3.11.96
-
The settlement of Milia, Crete, existed before 1583 (Venetian era), the census of 1630 reports the village as Mila. The Royal Way, the connecting path between the town of Kasteli, west Kissamos and West Selion was passing through the place. In the end of the 17th century an epidemic plague almost deserted the village, and as it seems, in this period started the development of the nearby (4,5 km) village Vlatos. In 1981 an effort commences to rebuild the houses of Milia following the traditional architecture with materials of stone and wood from the area. Works were completed in 1991 and is today a small traditional settlement of 15 separate apartments, common kitchen/dining room and a small amphitheatre for cultural events. It is lit by solar energy, fuel lamps and candles. The traditional way of life prevails.
*****************************************************************
DEAR BRENDAN
I was ready to send you a rosebud
rosypink from the heart
Rosy pink, I had chosen the colour.
It's my favorite, makes me recall
cheeks of children in winter
a promise of dawn
or a balcony where we're cradling
something yet to be born,
just a smile
or a song
or a present
wrapping in glimpses of future
or...
Then, I thought, you might not need a rosebud
But only the colour of love.
Sophia Yannatou
Athens 22.11.96
****************************************************************
POST-OPERATIVE
- for Brendan Kennelly -
C.S. Lewis limned
the pleasures of recuperation -
wandering in perfect eas
and gratitude through cantos
of The Faerie Queen.
Fair enough! Any 'balm
or beauty of the earth' will do
to savour the sweetness
of another blest return!
You, however, I see
putting down the book
rising for a quiet walk
in the air, the drift of sounds,
across the park, taking in
not tropes, but creatures
themselves – pigeons
waddling to peck crumbs,
the alert scramble of squirrels,
the supple rhythmic charge
of dogs in play – whatever
gives freely of itself,
like songs of birds
at the end of some hard day.
Keat's and Shelley's songsters
are all very well, but
it is veridical birds
who heal our lives;
they are always there
as light recedes or
mounts once more
we sleep to owls who
swirl their reedy vowels
on the velvet score of night -
wake to the sweet blips
of sparrow's syllabes
on the place screen of dawn;
in the hot expanse of noon, turn
to catch the gravel caws of crows -
we tune our minds to the high
pronouncement of flocks
wedging through the sky, and,
as dark comes down again,
the Gioni's hooo clears and floods
the paths of the heart.
Robert Crist
Athens 22.11.96
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